Hari Hara Veera Mallu Movie Review 2025 . Watch Now Online
Hari Hara Veera Mallu Movie Review 2025
Overview
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Directed by Krish Jagarlamudi and A. M. Jyothi Krishna, with screenplay by Jagarlamudi and Sai Madhav Burra, starring Pawan Kalyan as Veera Mallu alongside Bobby Deol, Nidhhi Agerwal, Nargis Fakhri, and Nora Fatehi
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The story is set in the 17th‑century Mughal period, focusing on the outlaw Veera Mallu assigned to recover the Koh‑i‑Noor diamond to save a city Wikipedia.
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Produced at a massive ₹250 crore, the film had a prolonged production (nearly five years) with multiple delays; it finally released in standard and EPIQ formats globally
✅ What Works
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Pawan Kalyan’s charisma: Critics and fans consistently praise his screen presence, which anchors much of the film
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MM Keeravani’s background score: Regarded as the highlight; it elevates key action sequences and emotional beats
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Visual spectacle and production design: The film’s scale, historical sets, and ambitious staging get positive nods for visual richness
❌ What Falls Flat
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Screenplay & storytelling: Frequently described as outdated, incoherent, and inconsistent in execution
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Weak second half: Many viewers cite a sharp decline in pacing and engagement post-interval, with a climax viewed as abrupt or underwhelming mint.
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Subpar VFX and editing: The CGI is widely criticized as amateurish; poor lip-sync and dubbing issues, including for Pawan Kalyan, detracted from immersion IMDbUnder-utilisation of supporting cast: Bobby Deol, despite playing Aurangzeb, is seen as underused with little character payoff Wikipedia
🗣 Candid Viewer Sentiment
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Reddit & social media reflect a mixed buzz. Some posters appreciated the ambition, production values and scale, while others lamented the flawed execution.
“Just watched Hari Hara Veera Mallu — while it may not be a perfect film … great production values and Pawan Kalyan’s screen presence really carried it.” Samayam Telugu+15Reddit+15YouTube+15
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Social media sentiment on X:
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Criticism: “disastrous dialogue, senseless screenplay,” “uninspired storytelling,” “VFX worst to core”
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Appreciation: Strong initial sequences and music saved the early half for some fans
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📊 Ratings Snapshot
| Source | Score / Summary |
|---|---|
| Rotten Tomatoes | Tomatometer: 70% (critic reviews) / Audience rating high (~80‑100%); few critics, limited data) Rotten Tomatoes |
| Gulte.com | 2.25 / 5 – Mixed: ambition praised but direction and execution weak Gulte |
| GreatAndhra | 1.75 / 5 – “Dull tale, epic fail” citing failed execution www.greatandhra.com |
| 123telugu | “Decent cinematic experience” – praises PK and Keeravani, but notes second-half lag, poor CG, unused supporting actors 123telugu.com |
🎬 Final Verdict
Hari Hara Veera Mallu: Part 1 – Sword vs Spirit is a visually grand, musically stirring film buoyed by Pawan Kalyan’s star appeal and Keeravani’s score—but hampered by weak writing, technical hiccups, and a dragged-out second half. A notable ambition falls short in narrative cohesion. Worth seeing for fans of PK and big-scale action, but temper expectations around storytelling and VFX polish.
🔍 Looking Ahead: Part 2?
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Mixed reactions have led fans to question the necessity of a continuation. Many remain uncertain whether Part 2 will meet expectations or even materialize given the feedback
TL;DR
Good first act and spectacle, great music and star power. But weak dialogue, poor VFX, inconsistent pacing, and a lackluster second half drag down the experience.
The Economic Times
Indiatimes
The Times of India
Quick facts (as of July 30, 2025 — Asia/Qatar time)
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Directors: Krish (Radha Krishna Jagarlamudi) & A. M. Jyothi Krishna. Writer (screenplay): Krish; Dialogues: Sai Madhav Burra. Music: M. M. Keeravaani. Editing: Praveen K. L. Cinematography: Gnana Shekar V. S. & Manoj Paramahamsa. Wikipedia
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Runtime / Certification: ~161–162 min, U/A (CBFC).
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Release: Wide worldwide release on July 24, 2025; some earlier limited U.S. shows in June/July around premieres. Wikipedia
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Languages in theatres: Telugu (orig) with Hindi, Tamil, Kannada, Malayalam versions.
Shooting spots / production
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Primary base: The film was predominantly shot in Hyderabad. Major schedules and custom sets were done at Ramoji Film City (Hyderabad). Recreated monuments on sets: Large sets mirroring Charminar, Red Fort, and Machilipatnam Port were built for the period backdrop. Wikipedia
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Additional/late work: Patch‑work was reported in Mumbai (April 2025); a large floor set in Mangalagiri (Andhra Pradesh) was used for green‑screen work; an action schedule was planned near Vijayawada (Sep 2024).
Budget & financing (reported)
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The production is widely reported in the ₹250–₹300 crore range. Wikipedia’s infobox lists ₹250 crore, while trade coverage like Koimoi has cited ₹300 crore. Treat it as ₹250–300 crore (reported).
Cast (key roles)
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Pawan Kalyan — Veera Mallu (hero)
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Bobby Deol — Aurangzeb
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Nidhhi Agerwal — Panchami
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Sathyaraj — Rajaguru
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Plus ensemble: Dalip Tahil (Abul Hasan Qutb Shah), Kabir Bedi (Shah Jahan), Vikramjeet Virk, Nassar, Sunil, Kota Srinivasa Rao, Anupam Kher, etc. Wikipedia
“Sponsors”: who backed and released it
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Production banner: Mega Surya Production (producer A. M. Rathnam; co‑producer A. Dayakar Rao). Wikipedia
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Distribution (notably U.S.): Prathyangira Cinemas handled U.S. distribution/premieres. (Also listed as distributor on Rotten Tomatoes, with active pre‑release updates on social media.) Twitter)
Note: No specific brand sponsorship/tie‑up deals have been publicly detailed in credible sources; coverage primarily names the production banner and distributors. If you need brand placements, say the word and I’ll keep watching for verified disclosures.
Release & formats
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Theatrical: July 24, 2025 worldwide in standard and EPIQ formats (premium large format). U.S. also had premiere shows/limited playdates earlier.
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Length: Listed as 2h 41–43m in Indian listings; 2h 30m appears on some U.S. ticketing pages (likely rounding/metadata variance).
Box office so far (early days)
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India day‑1 (estimates via TOI): ~₹44.2 cr gross (₹31.5 cr India day‑1 + ₹12.7 cr premieres). U.S. premieres: Distributor reported $600k+ gross by early afternoon July 23 (PST).
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Trend: After a strong opening, sharp day‑2 drop reported in media; some regions even reduced ticket prices from Monday to stabilize footfalls. Recovery vs budget (media take): Trade pieces say the film is underperforming vs. its reported budget at the 5–6 day mark (use with caution; numbers are still settling). Koimoi
What kind of movie is it (story & scale)
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Setting: A fictional, 17th‑century tale in the Mughal era where Veera Mallu attempts to seize the Koh‑i‑Noor to free a city. It blends historical ambiance with imagined events (not a true story).
Audience & critic response (snapshot)
Critics (India):
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Indian Express: 1.5/5, calls it a “misguided revisionist project,” citing weak writing/execution.
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123telugu: Mixed‑positive; praises Pawan Kalyan’s presence, Keeravaani’s score, and action; flags poor CG, under‑written characters, and a sluggish second half. Round‑ups from national outlets (Hindu, Hindustan Times, TOI) also note ambition/spectacle but criticize VFX and tonal consistency.
Aggregators / ticketing sentiment:
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Rotten Tomatoes: Tomatometer (early): 3 reviews ~68%; Audience: “100+ Verified Ratings” (score visible on page; still volatile).
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BookMyShow (India audience votes): 8.2/10 from ~57.9k votes (user‑driven, can swing)
Social media (X/Reddit):
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Early chatter skewed mixed to negative on writing/VFX (“disastrous dialogue,” “senseless screenplay”), though fans praised scale, music, and PK’s star power.
The review — my take (spoiler‑light)
What works:
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Pawan Kalyan’s charisma anchors the film; Keeravaani’s background score consistently lifts set‑pieces. The production design and period sets give an authentic, big‑canvas vibe. 123telugu.comThe Indian Express
What doesn’t:
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Writing & pace (especially post‑interval) feel uneven; payoffs are muted. CG/VFX quality varies, pulling you out of the world in high‑stakes moments. Some strong actors feel under‑utilized.
Verdict:
If you’re a Pawan Kalyan fan or love grand historical actioners, the film offers scale, music, and star moments. If you prize tight storytelling and polished VFX, temper expectations; it’s a spectacle‑first outing with bumpy execution.
Credits & companies (for your records)
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Producers: A. M. Rathnam, A. Dayakar Rao — Mega Surya Production. Wikipedia
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U.S. Distributor: Prathyangira Cinemas (handled overseas premieres & updates).
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Hari Hara Veera Mallu Movie Review 2025
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